Died c. 519; feast day also on May 10. Conleth, an Irish recluse at Old
Connell (County Kildare) on the Liffey, was a metal- worker and very
skilled as a copyist and illuminator. Saint Brigid, according to her
vita by Cogitosus, came to know him and invited him to make sacred
vessels for her convent and asked him to be the spiritual director of
her nuns at Kildare.
Eventually, he became the first bishop of Kildare, which the Annuario
Pontificio quotes as being founded in 519. Conleth, Tassach of Elphin
(Saint Patrick's craftsman), and Daigh (craftsman of Kieran of Saigher)
were acclaimed the
three chief artisans of Ireland
during their
period. Conleth, who was the head of the Kildare school of metal-work
and penmanship, is traditionally regarded as the sculptor of the crosier
of Saint Finbar of Termon Barry, which can now be seen in the Royal
Irish Academy. He also created the golden crown that was suspended over
Brigid's tomb.
A gloss in an Irish martyrology says that he was devoured by wolves on
his way to Rome--a journey undertaken against the wishes of Brigid. This
could be an explanation of his name: coin
to wolves
and leth "half"
(
Benedictines,
Curtayne1942,
D'Arcy,
Farmer,
Montague,
Neeson).
----
Cogitosus, who write as St Brigid's biographer a century after her
death, has interesting things to say about her monastery, about her
grave, and about the presence of many "painted pictures":
"......The hermit-bishop who joined Brigid at Kildare was St. Conleth,
now revered as patron of the diocese of Kildare. He was a craftsman in
metal; a crozier, said to be of his workmanship, is extant.
Brigid's
brazier,
he was called, in old writings. Under him a community of monks
grew up which excelled in the making of beautiful chalices and other
metal objects needed in the church, and in the writing and ornamentation
of missals, gospels, and psalters.
".......This double monastery, as we have said, was unique in Ireland.
It continued in existence for several generations. Cogitosus, who wrote
the life of Brigid at the request of the sisterhood in the seventh
century, describes the great monastic church at Kildare as it existed in
his own time, when the bodies of Conleth and Brigid lay entombed at the
Gospel and Epistle sides of the altar,
deposited in monuments which
were decorated with various embellishments of gold and silver and
precious stones, with crowns of gold and silver hung above them.
".......Saving the tombs, the description of the church in the days of
Cogitosus probably applies to the building as it stood when Conleth and
Brigid built it. We gain an interesting picture of the ancient Irish
churches of timber, of the larger kind.
COGITOSUS WRITES:
The church occupied a wide area, and was raised to a
towering height, and was adorned with painted pictures. It had within it
three spacious oratories, separated by plank partitions, under the one
roof of the greater house, wherein one partition, decorated and painted
with figures and covered with linen hangings, extended along the breadth
of the eastern part of the church from one wall of the church to the
other.
That means that the sanctuary was shut off by an ornamented
screen like the iconostasis in a Greek church.
The partition,
Cogitosus continues,
has at its end two doors. Through one, the bishop
enters the sanctuary, accompanied by his monks and those who are to
offer the Dominical sacrifice; through the other, placed in the left of
the same cross-wall, enter the Abbess with her virgins and faithful
widows to enjoy the feast of the Body and Blood of Jesus Christ.
Cogitosus goes on to tell that a central partition reaches from the
lower end of the church to the cross-wall before the sanctuary, dividing
the nave into two portions. These divisions are entered by separate,
ornamental doors, at right and left of the church; men occupy the right
(or Gospel) half, women the left.
Thus in one very great temple, a
multitude of people in different order and ranks, separated by
partitions, but of one mind, worship Almighty God.
More may be perused at
http://www.cin.org/saints/bridget.html